Control your cell and eat other players to grow larger! Play with millions of players around the world and try to become the biggest cell of all! His receipt of the 1997 Nobel Prize in Literature marked the “international acknowledgment of Fo as a major figure in twentieth-century world theatre”. An eldest child, Fo was born at Sangiano, in Lombardy’s Province of Varese, near the eastern shore stavro d amore forex peace Lago Maggiore.

In 1942, Fo moved to Milan to study at the Academy Brera Academy. However, the Second World War intervened. Fo joined the fascist army of Mussolini’s Repubblica Sociale Italiana. After the war Fo returned to the Brera Academy, also taking up architectural studies at the Politecnico di Milano. He started a thesis on Roman architecture, but becoming disillusioned by the cheap impersonal work expected of architects after the war, he left his studies before his final examinations. In 1950, Fo asked to work with Franco Parenti on a variety show performed by radio actors, beginning a collaboration that would last until 1954.

Fo delighted audiences with stories of his upbringing, which, Parenti was very impressed by, describing them as “absolutely original, with an extraordinary humour, wit and personification. Fo created 18 adult fairy tale monologues adapted from biblical and historical tales. Dario Fo and Franca Rame with their newborn son Jacopo. Fo met Franca Rame, daughter of a theatrical family, when they were working in the revue Sette giorni a Milano. They became engaged, and he married her on 24 June 1954.

With the break-up of I dritti due to financial failure, Fo and family moved to Rome in the hope of gaining work as a screenwriter in the cinema. There they lived next door to Roberto Rossellini and Ingrid Bergman. The foundation of the Compagnia Fo-Rame dates from this time. Fo wrote scripts, acted, directed, and designed costumes and stage paraphernalia. Rame took care of the administration. The company débuted at the Piccolo Teatro, and in 1959 began a series of six full-length plays that were performed each season at the Teatro Odeon.

In 1962, Fo wrote and directed a variety show, Canzonissima, for RAI. Fo used the show to give Italians a glimpse of a type of television resembling the origins of theatre, far removed from the “junk TV” previously produced by the company. Fo with his wife Franca Rame and their son Jacopo. Fo put on in the mainstream establishment Italian theatre.

Inspired by the events of May 1968 in France, Fo and Rame abandoned the official state theatre in Italy and set up Associazione Nuova Scena, a theatre collective operating outside the state structure. They asked the PCI for assistance and access to community centres and workers’ clubs. In 1970, Fo and Rame began their third theatre group, Collettivo Teatrale “La Comune” with the musician Paolo Ciarchi and the administrator Nanni Ricordi. Fo’s most internationally recognised play, described by the playwright as “a grotesque farce about a tragic farce”.

In March 1973, five fascists, commissioned—according to some rumors—by high-ranking officials in Milan’s Carabinieri, abducted Rame, held her at gunpoint and dumped her in a van. They raped her, beat her, burnt her with cigarettes, slashed her with razor blades and left her in a park. Political enmities intervened however, and Milan’s council tried to remove them by court order. Fo next turned to Italy’s growing drug problem, summing it up as follows: “Rich people consume and use drugs, while poor people are used and consumed by drugs. Grandpa who mistakenly swallows LSD instead of aspirin and hallucinates a farcical tram journey in his wardrobe ending at a police station.